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"Metal-work Kuwait Kuwait Catalogs."
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Metalwork from the Arab world and the Mediterranean
This volume presents vessels, fittings and other objects made in Syria, Egypt, Iraq and Yemen from the early Islamic period through to the end of the Ottoman era in the 19th century. The pieces include exquisite platters, serving-vessels, candlesticks and pen-boxes produced for royal courts, but also many beautifully decorated bronze domestic items, such as bowls, lunch-boxes, door-knockers, buckets and lamps.0 0he metalwork traditions in this book reflect the complex history of the Arab world following the advent of Islam. The collection starts in the Late Antique period, which informed the early Islamic royal styles of the Umayyad, Abbasid and Fatimid dynasties, and goes on to trace the emergence of Mosul as a centre for metalwork in the 12th-13th centuries; the courtly Mamluk style during the Bahri period (1250-1380s); the Circassian era (1380s-1517); the growth of the European export market from the 15th century; distinctive vernacular styles in Yemen during the 14th-16th centuries; and the many revivals and fusions of international styles over six centuries of Ottoman rule (1517-1900s). Finally, an enigmatic group of zoomorphic fittings that defies easy dating is celebrated for the craftsmanship and charm of its animal figures. 00This beautifully illustrated volume features many important unpublished pieces and is essential reading for specialists, but it will fascinate and inform anyone with an interest in Islamic culture and history, metalwork and the decorative arts of the Arab world.
Arts of the Hellenized East : precious metalwork and gems of the Pre-Islamic era
The al-Sabah Collection, Kuwait, houses one of the world's most spectacular collections of ancient silver vessels and other objects made of precious metals. Dating from the centuries following Alexander the Great's conquest of Iran and Bactria in the middle of the 4th century BCE up to the advent of the Islamic era, the beautiful bowls, drinking vessels, platters and other objects in this catalogue suggest that some of the best Hellenistic silverwork was not made in the Greek heartlands, but in this eastern outpost of the Seleucid empire. Martha L. Carter connects these far-flung regions from northern Greece to the Hindu Kush, tracing the common cultural threads that link their diverse geography and people. The last part of the catalogue, by Prudence O. Harper, deals with an important group of Sasanian silver vessels and gems, and some other rarities produced in the succeeding centuries for Hunnish and Turkic patrons. The catalogue is accompanied by an essay on the technology of ancient silver production by Pieter Meyers, who has performed a number of scientific tests on the objects, including a new metallurgical analysis that may help to identify their geographical origins.